Nat and her dog Lapa were wonderful models at last week’s life drawing session. I drew Lapa quite a lot, as you can see below …
That’s me caught up!
Erle is Kinsey’s husband. In writing the script his character has been developed beyond his role in the short story. I like the exploration of their relationship.
And that’s it for Inktober!
For the penultimate character I’ve drawn Kinsey, who I’ve illustrated before but wanted to explore more. I’m writing a script of Kinsey’s Sword and am beginning to think more about what her character will look like.
Hermux Tantamoq is a watchmaker who is pulled into all sorts of adventures in Michael Hoeye’s books. My drawing is from Hermux in Time Stops for No Mouse, the first in the series, but my favourite is The Sands of Time.
A double update! Both characters are from The Princess of Nowhere, the first novel I ever finished writing. Trennte is the manservant of Prince Jespar, and is the prince’s friend and mentor. Jeffrey is a tie. For some reason I cut Jeffrey out of the later drafts, something I regret as he was one of the things that made the first draft special. It’s possible that one day I will return to the story … I think it may work as an animated series, something a bit mad where talking clothes make sense. With that in mind the Trennte sketch is Gravity Falls-inspired.
Finn is a half-Indian, half-English boy who Maia meets and befriends.
Unfortunately I missed yesterday – I’m away from home at the moment, and yesterday proved too busy! I may do a double update tomorrow to catch up.
Maia is an orphan, sent out to Brazil to distant relatives in the care of Miss Minton.
Miss Minton is a severe but wonderful woman in Eva Ibbotson’s Journey to the River Sea, a beautiful book set in the early twentieth century about a young girl discovering the Amazon and the people who live there. I’ll be drawing a couple more of the characters over the next few days.
Back in 2009 I wrote The Dance for NaNoWriMo, or National Novel Writing Month, which takes place every November. Sarah is a maidservant in the court of the king when a magnificent ball takes place. Though she is cleaning, Sarah is asked to dance …
For Sarah’s clothes I took directly from this Crows Eye Productions video. It’s worth checking out their YouTube channel for more videos on period costume!
Manaus is Rudy’s son and as such has been through many of the trials she has.
There is something very interesting about the ‘relationship’ between a writer or artist and their characters. It’s possible to be very cruel to them to serve a story. I don’t remember thinking much of it at the time, but looking back now I feel very sorry for Rudy.
Rudy is a very old character of mine, but this is the first time I’ve draw her. In her world centaurs are considered like animals and are hunted for sport (though not to be eaten). As such the stories I’ve made up about her are often quite grim. I’ve heard that many peoples’ first stories can be dark. Her stories will likely never see the light of day …
For today’s character design I’ve drawn Esther from the Book of Esther in the Old Testament and Tanakh. A Jewish orphan, she became queen of Persia. I enjoyed researching Persian clothing and hairstyles around 500 BC, though I haven’t had time to research in great detail! For Esther’s face and figure I’ve heavily referenced Meg from Hercules.
I meant to post these last weekend, but forgot. I drew them last month, using the Bodies in Motion site, beginning with 30 second poses and gradually giving myself more time. The site is excellent for capturing poses that a model would never be able to hold.
Bree (or Breehy-hinny-brinny-hoohy-hah, to give his full name) is the titular horse of The Horse and His Boy. Shasta is the boy. I had wondered about drawing Aravis and Hwin, the other main characters, but there are so many other characters I want to draw I initially decided against it. Now I’m two weeks through the list I made I’m starting to wonder about some of the characters I initially scheduled, so Aravis may appear later in the month …
Like yesterday, I’m looking at The Secret of Kells for design inspiration. Several of the animals like wolves and deer have legs that come to a point. Though it’s quite elegant I think, if I were designing for a real film, I would rework Bree to have hooves.
Shasta is the main character in The Horse and His Boy, my favourite of C. S. Lewis’ The Chronicles of Narnia books. I would love to see it on screen as I think this story has so much scope – adventure, horses, battles, an escape across a desert. Now Netflix will be developing new films and series (see here for more information) it’s possible my dream will come true!
For design I’ve followed Cartoon Saloon‘s style quite closely, particularly their film The Secret of Kells. If you haven’t heard of them, check them out – their work is beautiful, especially Song of the Sea which is one of my favourite films.