A double update! Both characters are from The Princess of Nowhere, the first novel I ever finished writing. Trennte is the manservant of Prince Jespar, and is the prince’s friend and mentor. Jeffrey is a tie. For some reason I cut Jeffrey out of the later drafts, something I regret as he was one of the things that made the first draft special. It’s possible that one day I will return to the story … I think it may work as an animated series, something a bit mad where talking clothes make sense. With that in mind the Trennte sketch is Gravity Falls-inspired.
Finn is a half-Indian, half-English boy who Maia meets and befriends.
Unfortunately I missed yesterday – I’m away from home at the moment, and yesterday proved too busy! I may do a double update tomorrow to catch up.
Maia is an orphan, sent out to Brazil to distant relatives in the care of Miss Minton.
Miss Minton is a severe but wonderful woman in Eva Ibbotson’s Journey to the River Sea, a beautiful book set in the early twentieth century about a young girl discovering the Amazon and the people who live there. I’ll be drawing a couple more of the characters over the next few days.
Rudy is a very old character of mine, but this is the first time I’ve draw her. In her world centaurs are considered like animals and are hunted for sport (though not to be eaten). As such the stories I’ve made up about her are often quite grim. I’ve heard that many peoples’ first stories can be dark. Her stories will likely never see the light of day …
For today’s character design I’ve drawn Esther from the Book of Esther in the Old Testament and Tanakh. A Jewish orphan, she became queen of Persia. I enjoyed researching Persian clothing and hairstyles around 500 BC, though I haven’t had time to research in great detail! For Esther’s face and figure I’ve heavily referenced Meg from Hercules.
I meant to post these last weekend, but forgot. I drew them last month, using the Bodies in Motion site, beginning with 30 second poses and gradually giving myself more time. The site is excellent for capturing poses that a model would never be able to hold.
Shasta is the main character in The Horse and His Boy, my favourite of C. S. Lewis’ The Chronicles of Narnia books. I would love to see it on screen as I think this story has so much scope – adventure, horses, battles, an escape across a desert. Now Netflix will be developing new films and series (see here for more information) it’s possible my dream will come true!
For design I’ve followed Cartoon Saloon‘s style quite closely, particularly their film The Secret of Kells. If you haven’t heard of them, check them out – their work is beautiful, especially Song of the Sea which is one of my favourite films.
Corlath, King of Damar, from The Blue Sword. He and Harry do not always see exactly eye to eye.
These next characters come from Robin McKinley’s The Blue Sword, a fantasy novel I adore. As it’s set in the desert land of Damar I took inspiration from The Prince of Egypt for design. Harry (full name Angharad) is the heroine, and I show her here near the beginning of the story when she has been kidnapped by the hill folk.
Though I took time to colour her I really like the pencil lines, so I’ve uploaded them on their own too.
Captain Frederick Wentworth, for those who haven’t read (or watched) Persuasion, is the love interest of Anne.
Persuasion is one of my favourite Jane Austen novels (I find it hard to choose between it and Pride and Prejudice) so I thought I’d draw Anne Elliot for day four. I wanted to draw her in a style similar to some of the cartoons of that time – lots of lines and hatching.
I’ve been busy with work and a family wedding, so it’s taken me a while to post anything new! Here’s a group of studies from one of Muybridge‘s wonderful sequences.
More studies from the Bodies in Motion website! I began with some 30 second sketches, all of which were very rough so I haven’t uploaded any of them. Next I went through one of the motions spending a minute on every drawing. Finally I spent quite a long time on a study of one image.
The gif below is a bit jumpy because I was only drawing every third photo, but I think there’s still a good sense of the overall movement.
Last week I went to a show of students’ work where Katrina Ellis, a weaver and life model, modelled with some of her fabric. It was fun, and challenging, to draw.
Recently I signed up to Scott Eaton’s Bodies in Motion website, which is stuffed to the gills with stunning figure references. The ‘Motions’ feature sequences of photographs of people dancing, leaping, and fighting. What’s lovely about it is that moments of action can be studied which could never be held by a life model.
Today I began by studying a sequence, playing each frame for 30 seconds. Getting all the information down was a challenge (I’m a bit rusty).
After drawing the gestures I took a bit more time to study one of the images.
I’m looking forward to exploring this site more. It’s possible to used the randomised ‘Quickdraw’ feature for free (as long as you register) and you can also view thumbnail images, but the plans, which give you various levels of access, are currently on sale.