I recently watched Orson Welles’ 1946 film ‘The Stranger’, about an investigator from the War Crimes Commission trying to track down a Nazi in Harper, Connecticut.
Early on there is a scene where a character is being followed. When watching it I immediately wanted to draw studies of the shots, but I’ve found it hard to capture exactly how they feel. So much of what makes them great is in how the characters and cameras move.
What’s really stood out to me is how little information there is on screen during this scene. A lot of the clarity is in the character movement. Still, I think these studies express the almost abstract layers of shapes.
AJAiken 